The Shell Game is one of the most sonically differentiated jazz records of recent years. - Downbeat

Alto saxophonist/composer Tim Berne ventures into the world of EFX thanks to keyboardist Craig Taborn's synth-based textures, ethereal soundscapes, and altogether curiously interesting interplay with the leader and his longtime musical affiliate, drummer Tom Rainey. Consisting of four lengthy pieces, Berne once again demonstrates his laudable chops and easily identifiable musical persona on this rather eclectic yet thoroughly spirited set. And while Berne's cutting-edge "Paraphrase" and "Bloodcount" bands do not utilize digital or analog electronic treatments, they seldom lack impact, resourcefulness, or high-octane-type methodologies. Here, Berne and Rainey go for the proverbial jugular amid Taborn's sound sculpting and contrasting mosaics of layered effects and subtle dynamics. Through it all, the band excels at constructing climactic themes via Berne's brazen attack and Rainey's multifunctional rhythmic developments while Taborn serves as the colorist. Basically, The Shell Game shines forth as a charismatic effort from a preeminent stylist who is willing to take risks. - Glenn Astarita, All Music

Typically edgy and in your face, Tim Berne refuses to compromise on his Thirsty Ear debut. While other records in Matt Shipp's Blue Series have tended toward the accessible side of free jazz, Berne's The Shell Game only expands upon his unique idiosyncratic vision. Tired of the traditional sax/bass/drums trio setting, the saxophonist steps into a different configuration here. He joins forces with old-time collaborator Tom Rainey on drums and fresh mischief-maker Craig Taborn on keys and electronics. Taborn's contributions on The Shell Game are crucial: by engaging various loops, samples, and processing, he vastly expands the texture of the trio. - Nils Jacobsen, All About Jazz